Posted by: The Central Scrutinizer | August 6, 2008

OVERRATED

Sometimes the choices of the herd are incomprehensible. I’m not talking politics here, though clearly the same applies in this sphere (hint, hint, Mr.Shrub).

No, I’m talking about culture, with a capital ‘K.’ I’ve just finished listening to a movie review podcast entitled ‘Cinerama,’ a good solid British effort marred only by abysmal audio engineering standards.

Anyways, as I was dozing off in a post-caramel macchiato haze here in Hiroshima’s Diamond City, I heard him rating Monty Python’s ‘Holy Grail‘ as one of the funniest films of all time.

What!? Now I’ve become somewhat inured to hearing middle-aged Americans quote ad nauseam from this 30 year-old low-budget effort as if it were the cutting edge in modern UK comedy (apparently most of the US knows not of ‘Black Books,’ ‘The Mighty Boosh,’ ‘Little Britain‘ and ‘Spaced.’), but this from a young Brit, well, it rightly boggles the brainbox.

By the time I got round to seeing ‘Holy Grail‘ (admittedly later than most) it was a singularly underwhelming experience, a combination of having heard practically every scene reenacted in the pub way too often, and the fact that it just didn’t seem particularly funny.

In fact, I watched it again a few months ago and didn’t laugh once. I’d even go so far to say that much of it (particularly John Cleese’s contributions) are cringeworthy.

Now, before I get pilloried as being a humourless old git (which in many ways I am), I’ll say in my defence that I like ‘Life of Brian‘ and ‘Fawlty Towers.’

Now all this got me a-thinking about other forms of mass entertainment, especially music, and after a long cogitation I’ve come up with the following candidates for the most overrated albums/artists of all time. See if you agree!

(1) Jimi Hendrix

Arse! A glorified showman who had a few party tricks (playing the guitar with his dentata, and/or behind his back, then setting it alight – woo, you’re hard!), but whose recorded works are stupendously underwhelming, nay, bland.

(2) Eric Crapton

Crusty old sour-faced white middle-class tosser steals the Delta Blues and has the nerve to pretend he knows what it was like to be black in 1930’s southern USA. Fake! Phoney! Wanker! As a guitarist he might once have been on the cutting edge, but the last 25 years of tedious blues licks and gurning are a crime against humanity.

(3) The Clash

Always hailed as the epitome of punk, but let’s look at the facts. A bunch of rockers see the Sex Pistols, spray paint a few slogans on their shirts and record a great album, their eponymous debut. Now I love this record, and it is indeed a punk classic, but that is where it ends. Album 2 has a couple of decent tracks but Mick Jones’ old school rock colours start showing through, and then it all turns to shite with ‘London Calling‘, an album full of songs about Cadillacs sung in American accents – what does this have to do with punk? It’s certainly a departure from ‘I’m So Bored with the USA.’

(4) The Beatles – ‘Sergeant Pepper’

Now I like The Beat-less, but there is absolutely nothing special about this album. It’s like most of their records – lots of pretty good songs, a few classics, and a stinker or two (yes, Mr.Harrison, six minutes of you pretending you can play the sitar is not a pleasant experience). And even the lads themselves stated that it really wasn’t a concept album at all, just another clutch of random unconnected songs.

(5) The Rolling Stones

Any musical combo that out stays its welcome by 35 years does not deserve the vast income still generated by these gentlemen on their sell-out world tours. C’mon, people, when did this band last put put out a decent or relevant record? 1974? And that’s being generous. Rest assured, all those who have attended gigs in the last quarter century will be ‘processed‘ when I get into power…

(6) Led Zeppelin

Some of the music may have been ground-breaking, but with lyrics like this I just cannot suspend disbelief: “Oh, yeah, baby, baby, I believin’/Don’tcha realize sweet baby/Livin’, lovin’, she’s just a woman/I love you- ooh baby I love you.” Nope, I didn’t make those up – that’s the literary calibre of our venerable Heavy Blimp. Anyone with an IQ above 80 has no business here.

(7) Oasis

And we continue with our theme of crap words. The personification of Yob-ism, that recent British phenomena of venerating the dumbarses, here we encounter some Manc gobshites who have learned how to cobble together a few Beatles songs and stick some brainless verbiage on the top. Add an enormous dose of bravado, et voila, media darlings for the 90’s. We don’t need to analyze lyrics, the song titles are enough: “(As Long as They’ve Got) Cigarettes in Hell, Hung in a Bad Place, It’s Better People, Turn Up the Sun.”

I’m sure there are other artistes deserving of a mention in this here list, but I think you’ll agree that is more than enough to be getting on with…


Responses

  1. Ah, yes, I have been saying the very same thing for years, my dear boy. The only good thing you mentioned was indeed Fawlty Towers – still funny today.

    To what address should I have the postwallah deliver your gift subscription of The Spectator?

  2. Just send ‘em to Cardinal Hess, c/o The Vatican. He’ll know what to do.

  3. I hear he is busy doing some leafleting at the Meinhead bi-election…

  4. No, you’re thinking of Mr.Bimmler…

  5. “I thought the Clash were lame too. I wanted something much slower, heavier, more intense. Like what PIL music became some years down the line when me and John Lydon put our minds and vengeful spirit together….. my heart wasn’t in The Clash sound at all — I remember going to rehearsals and just being so depressed about their sound. They got it so wrong man, they thought I was depressed because I was having a bad amphetamine come down. So it happened like this :o ne day, I get to the rehearsal room which is this dark, damp room — the band are sitting around, playing tunes from The Stooges and The MC5 and King Tubby’s Hi Fi on their little cassette machine, waiting for me to arrive cos I’m late as usual. We plug in and start playing, and I remember Joe Strummer poking me in the arm and going, “Look Keith, just what is wrong with you man, are you into this or not”. I’m not into it, so I just leave my guitar up against the amp, feedback howling back like mad, like white noise, and I just walk out.

    I can still hear that feedback whine as I leave the studio and walk onto the street. Fuck them. And they thought it was a bad speed come down. You wanna know the truth? The truth is I hated their sound. Even though I wrote some of their first album, I can’t listen to it. That’s the truth. There is the printed version of what happened, and then there is the real version of what happened…..It didn’t bother me when I left The Clash, not at all……I didn’t want anything to do with it……

    So I didn’t care. I knew John Lydon anyway through Sid Vicious. Sid was my mate, and he’d told me a lot about John at the different the parties and clubs we used to go to. Sid would say, “Keith, let me tell you, there’s this guy called John, and you two just really have to meet” so I knew a lot about John before we’d even met. And when The Clash supported the Sex Pistols, that’s when me and John Lydon made a kind of agreement. Neither of us was happy with our band situation that night, and John was looking ahead to quite different ideas from the other guys in The Pistols. So right off, me and John understood each other. There was a hatred, a cynicism, a kind of darkness, a nihilistic energy, but also a lot of mad humour”

    http://www.3ammagazine.com/musicarchives/2004/may/interview_keith_levene.html

  6. Sir Gregorian Whitbread, is that you?

  7. Indeed it is squire! Also, I couldn’t agree more re. The Clash. I never liked ‘em beyond a few tracks on the first album anyway. “Janie Jones,” “What’s My Name”……that’s about it ! Oh, and I like the lyrics of “Hate and War”…

  8. ….and very nice bass playing guvna, on the you tube linketh….I also liked the dr who composer stuff — I found a good interview with that lady the other day — ah, the joys of Englishness over the shallow vacuity of the heathen philistine Yanks!

    Quote —

    “”Is this the one where architecture and music relate in their proportions?

    Nature’s numbers; the number of leaves on a fern, the number of seeds on a sunflower head, and how they are arranged… this is the Fibonacci sequence, used in art and architecture and music. Although when you hear it in music, it is not recognised. Even George Gershwin used it in Porgy and Bess. Now who knows that?

    I watched this programme on television about Roman architecture, and they were saying that the proportions of the building were based on Pythagorean ratios, directly related to harmonic musical relationships. There is a magic, perhaps, to certain number relationships. Or even certain numbers themselves somehow have magic… or a strength at least.

    They’re built into nature, so of course our bodies respond to those numbers, even at a subconscious level. And now everyone’s working in fractals, and, for the last two decades, Chaos theory. Probabilistic random stuff. It’s not totally predetermined from the start, what you’re going to get. Surprise is a nice element in music.

    That’s exciting. The best thing about having these rules is when you break them and it makes something beautiful.”

    http://www.delia-derbyshire.org/interview_surface.php

  9. Great Levene interview, sir….Metal Box was a revelation to me back in ‘79. One of the greatest albums of all time, in my humble hopinion. That scratchy brittle guitar – all treble to Wobble’s rumblings – no middle at all!

  10. Agreed Squire — Metal Box is one of my favourite records, indeed, I rememeber we listened to it in our humble Hiroshima abodes nearly 20 yrs ago!

    As for the Wobble, indeed, “The Suit” has one of my favbourite b lines — however, I harbour some small grudge agianst the surly Whitechapel fellow, since he gruffly threatened me in an interview a few years ago! What did I expect from Wobble though? Lol….

  11. Hmm…I wonder…should I do a YouTube vid of Metal Box basslines? I know most of ‘em. How to get the Wobble sound, though…

  12. Good idea! I hear that Wobble used to turn off all the treble, and turn the speaker stack to the wall to get a muffled thud! Rumour or fact, I don’t know. I remember a few years ago, sitting with Levene in his London studio, and listening to him play those early tunes — it was mezmerizing.

  13. I’ll try it! It’ll need some practice, as I’m not good at playing without a pick. Thanks for the inspiration, GW!

  14. Guvna, just reposting two links that may interest you — I posted ‘em earlier, but they seem to have vanished into ye olde mystic ether — one link to an entire book on Punk Rock which is great imho — and another entire ( excllent) book on Dada/Situationism. The author is a mate of mine and a first rate fellow to boot.

    http://www.stewarthomesociety.org/cranked/content.htm

    http://www.stewarthomesociety.org/sp/assault.htm

    PS are you still in touch with Trevor and Sabina?

  15. Ta for the linx! Will check ‘em out shortly…
    No, not heard from Trev + Sab since they left Japan about 12 years ago! Last heard he was working in a bookshop in Cambridge with 2 kids. I mean he has 2 kids, not that 2 kids were working in the bookshop!

  16. Bah! Blimmin slave labour! Making two kids work in a bookshop eh? Worse than sending them up the chimneys to earn a crust of bread!

  17. Nice to talk oh Lightfooted one — Shrek shall return!

  18. Likewise, oh Gregorian One. Do drop by again! I’m also on Skype (tangerine_wizard)…

    I still have your Buddha-Face picture in this here room, not 2 feet from where I’m hunched over me iMac…


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